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La Fortuna' (1x06): the rescue of the treasure provides a satisfying and vibrant ending to the Amenábar series

 And we come to the end of the series. ' La Fortuna ' reaches its sixth and last episode on Movistar + consolidating the sensations that we have had during these weeks from the hand of Alejandro Amenábar and Alejandro Hernández . The odyssey of Álex Ventura and company to get the treasure back to Spain in these fifty minutes find their last obstacles in an episode that, perhaps, is milder (not less effective) than we would have liked. By the way, from here, spoilers for the end of 'La Fortuna'. Collect the boxes Surely when we anticipated in the last episode the last movement of Frank Wild in his tour de force against Ventura and company, we did not imagine that it would be so bland and not very allegorical. That intention to charge for the boxes remains on the screen much less aggressive in its last-play intention than it could. The feeling is that they have not known very well how to solve the villain. With how well worked and dominated that Stanley Tucci had to Frank

Hypnotic': the great Netflix premiere for Halloween is a discreet psychological horror thriller at the service of Kate Siegel

undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined undefined  Netflix has released several horror flirting movies in recent weeks ahead of Halloween. We have already told you about titles such as ' Nobody will get out of here alive ' or ' Maw of the night ' , but the streaming platform has reserved for this week two tapes called to be very seen during the next few days,' Nobody sleeps in the forest tonight - Part 2 'and ' Hyphotic ' . For my part, I decided to give 'Hypnotic' a chance first as it starred Kate Siegel , a fetish actress and wif

The mummy': an adventure film marvel with an overwhelming Brendan Fraser emulating Indiana Jones

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Arcane' is a huge surprise: the Netflix series is visually stunning and very accessible to neophytes of the 'League of Legends' universe

 Both film and television have tried to take advantage of the great popularity of video games on several occasions. Some were blockbusters and others failed, but the most common is that they were works between the discreet, the disappointing and the horrible that did not leave you wanting more. I was afraid that 'Arcane' was going to be a new example of this, but the reality has been very different. Based on the 'League of Legends' universe and designed as a prequel to tell the origins of its protagonists, 'Arcane' is also a daring move by Netflix , both for breaking with its model of releasing the entire season at once and for having also been seen on Twitch officially. All this makes it a striking series, but also a visual joy that takes things easy when telling its story. A solid foundation I have no doubt that those who are already familiar with the characters of 'Arcane' will have an element of additional enjoyment - I confess that I had never been

Heading to Hell': An absorbing and sinister series from the director of 'Train to Busan' for Netflix that presents an exhilarating conundrum

 I suspect that 'The Squid Game' will be mentioned a lot to try to draw attention to 'Heading to Hell' , a series from the director of 'Train to Busan' for Netflix that arrived on the platform this Friday, November 19. I myself fell into temptation when I told you about the appearance of its trailer, but the truth is that there are few points in common between the two beyond the fact that both come to us from Korea. 'Heading to Hell' presents a society in which the appearance of mysterious creatures ends with the death of a person and the promise that something like this will happen again. From there we find an absorbing series with a sinister point that offers a varied and satisfactory portrait of everything that arises around this strange incident. Different impacts In 'Rumbo al infierno' we find several narrative focuses . On the one hand we have the inevitable police investigation, in which an attempt is made to find a rational explanation fo

La Casa Gucci': Ridley Scott cleverly solves a family epic that cries out to be disheveled with more bombast camp

 At one point in ' La Casa Gucci ' (House of Gucci) the character of Adam Driver attends a fashion runway, and between the flashes and the darkness he seems to glimpse a Lady Gaga bathed in the flashes of light that allow him to see a Sinister smile, in what seems almost a diabolical apparition very much in keeping with the versatility of the singer and actress. It is one of the best moments of the new Ridley Scott film , which is aesthetically reminiscent of his brand new ' Black Rain ' (1989). However, it is an isolated moment, a small, almost dreamlike escape that does not represent the general tone of the film , curiously at a time when the designer Tom Ford is mentioned, since he was one of the architects of the resurrection of the house Gucci in full 90. The coincidence is funny, because Ford is now a very remarkable director, and one cannot think of a more appropriate name to carry this story of frigid passions, decline of the bourgeoisie and betrayals with echoe

'It was the hand of God' is pure emotion: Netflix welcomes the beautiful Neapolitan rite of passage of the best Paolo Sorrentino

 Far from fading after ' The Great Beauty ', Paolo Sorrentino's name has been consolidating film by film, but between series by Papas and Berlusconi, the world may have forgotten that his style is more than parties, coca and decadence For this reason ' It was the Hand of God ' (È stata la mano di Dio, 2021) can be seen as a return to the form of a director who won an Oscar a decade ago; and curiously from the hand of Netflix, which begins to add quality in its bets. If ' Don't look up ' is one of his best productions to date, normally the opportunities for great authors on the platform have not always given the best work of their careers, but Sorrentino has managed to break that trend with his most personal film to date. moment. A semi-autobiographical piece set in impoverished Naples during the 1980s that offers an intimate look at rites of passage based on the director's adolescence, probably his best , or at least his most honest film. During its